It just so happened that I was reading an article on macro photography when I realized that I didn't need MY snow shovel (you know, the one I ACTUALLY use to clear the snow), just A snow shovel. Usually, I catch most of my clips unprepared, so my aspirations for getting this fell to the wayside early. I tried mounting the FS700 directly onto my snow shovel, but I could not keep it fastened safely and scoop/throw at the same time. I've wanted to shoot this clip for a long time, but didn't really know a good way to capture it. Up until then, I guess I'll have to make available to you all everything that is fit to publish. I'd like to get more accurate in reading a situation as to what settings to use to achieve the speed and look I want. I guess thought that the changes I made would somehow cancel each other out. I was amazed at how much slower the time was passing on screen. This one was done at roughly a 24mm focal length on a full frame camera at 2-second intervals. Most of my time lapses have been around 1-second intervals at around a 38mm focal length (I'm factoring in the 1.6 crop factor on the Canon I normally use). I've been really interested in the correlation between interval and focal length. I've been experimenting a little more with time lapses and my intervalometer. It took me forever to realize it wasn't my tripod drifting on me. Fun fact, the movement is real time, it just looks like it is faster or time lapse-esque because of how small the frame of reference is compared to the sky. So this full moon is a full resolution HD real time super-telephoto shot for you to use in your project. Not to toot my own horn, the atmosphere on the clip I shot give a sense of realism to the shot. Looking on some of the big stock sites what I noticed was many of the "moon" shots looked almost faked with a still moon image moving across a black sky. There was a slight haze in the sky, which I found pretty neat when watching the footage later. Since there was a full moon the night of the modding, I had to see what I could get. I already have a 180mm macro lens and the crop factor on the c-mount adapter/image sensor is roughly 5.7x meaning my 180mm lens became a 1026mm f/2.8 macro beast! I heard about the Back-Bone Ribcage Mod for GoPros and I became very interested in working with it. Being a hobby tech-head as well, I've always enjoyed pushing my electronics to their limit and seeing what interesting things I can accomplish with them. POV and action shots seem a little too personal for general stock purposes. I've been looking forward to finding a suitable teleconverter for my camera packages, and at the same time, debating on the usability of my GoPro Hero 4 for the purposes of shooting stock footage. You can preview and download the video file by clicking "read more" below. You are welcome to use this video in your projects you are working on or keep it in your clip library for future work.The only thing you cannot do is turn around and offer it AS stock footage. ALWAYS test new methods and equipment, especially if you are going to places you can't frequent. Let it be a lesson though to anyone looking to go out and do the same. The result, while still striking, was about half the amount of frames that I was hoping for in the time I had allotted to be outside, awake and away from my sleeping family. Since the interval and the shutter time were almost identical, I did not notice that the camera was firing off every other 15 seconds. The camera was also set to go dark, so it did not waste any battery life in inconsequential features. Little did I know, this new program factored in the camera's shutter into the interval, which means I could have gotten away with setting a 1-second interval instead of the 16 seconds I had it programmed for. In the past, that meant I needed to set an interval that was HIGHER than 15 seconds to correctly create the time lapse. I was able to calculate my exposure using the ever popular " 500 rule", which came out to about a 15-second exposure for each frame. While I enjoyed what I got, I was using a new time lapse feature that automated the capture differently than how I normally have in the past. We were camping in a remote area in the Adirondack mountains, so I decided to take my camera along to see what I could capture. I was very fortunate to have my family vacation time overlap with not only a new moon, but also the Perseids meteor shower event.
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